As the annual Ganpati Puja celebrations wind-up in Maharashtra, the Indian Express has produced a timely piece about the multi-ethnic nature of such celebrations. Zeeshan Shaikh writes, “The deep resonant beats of the dhol and the sharp rhythmic sounds of the tasha are quintessential to Ganesh Chaturthi celebrations in Maharashtra. Ganesh Utsav, commonly known as Ganesh Chaturthi, is a vibrant and significant festival celebrated predominantly in Maharashtra and by the Hindu diaspora globally.
Among the instruments that invigorate this festival, the Nashik dhol stands out for its role in creating an energetic and rhythmic atmosphere. Interestingly, a majority of the proponents of this craft are Muslim artists who fan out across the country during the 10-day Ganesh celebrations and dish out rhythmic beats before the deity.
The tradition of playing the Nashik dhol in its own distinct style began with the Ansari community from Nashik district, who were among the earliest proponents of this art form. Today, with numerous dhol-tasha pathaks proliferating across Maharashtra, the original Nashik dhol bands and their Muslim drummers are highly sought after and command a premium. They remain a integral part of Ganpati celebrations throughout India, continuing to infuse the festivities with their unique and dynamic rhythms.”
The Express then interviews a drummer who appears to be the Don Bradman of the drumming community and he speaks of a mastery that the great Aussie batsman would have been proud of: ““I have been playing the dhol at Ganesh festivities for the past 70 years,” 80-year-old Gulab Khan shared with The Indian Express over the phone from Dwarka, Gujarat. As he hurriedly packed his belongings to head back to Maharashtra for another performance at a Ganesh pandal, he reflected, “There is no festival in India where we haven’t been invited to perform. However, Ganeshotsav holds a special place for us, and we often get booked months in advance.””
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